Thorogood’s Career Jammer
George Thorogood & the Destroyers – The Dirty Dozen
July 28, 2009
Capitol Records
Victim of Loudness War? No
George Thorogood and the Destroyers have always been about having fun with their music. Their sound is reminiscent of any bar band worth its salt and their best songs have always had plenty of hooks and sing-along moments to keep energy levels at their peak. This, partnered with Thorogood’s superb slide guitar playing, is no doubt what made them such an instant hit when they first appeared in 1977 and enabled them to maintain steady in-concert popularity through the present day.
The trouble with the group’s latest release, The Dirty Dozen, is that throughout the course of its twelve tracks, there never seems to be any reason for having released it. Granted, six of the tracks included here were previously released over the last three decades, but the other six tracks are newly recorded and presented for the first time on The Dirty Dozen. But all twelve of the tracks really serve no purpose as they add absolutely nothing to the band’s already vast catalog. These are twelve new blues covers, none of which match the quality or performance level of Thorogood and Co.’s previous successes. Continue reading →
August 31, 2009 Posted by recordreview | Blues, classic rock, Guitar, Guitars, Rock, Uncategorized | Blues, blues rock, blues shuffle, Chuck Berry, classic rock, George Thorogood, George Thorogood & the Destroyers, George Thorogood and the Destroyers, Guitar, Guitars, Howlin' Wolf, Rock, rock music, slide, slide guitar, T. Bone Burnett, The Destroyers, Willie Dixon | 2 Comments
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The Record Review was established in May of 2009 to provide a place for fans of music to come and read an honest review of new and noteworthy album releases. The site rose from the ashes of The Magnus Album Archive, which operated from Spring 2006 – Spring 2009. Content from the original site is available in the Archives section of The Record Review. This blog is owned and operated by Ian Rice, a freelance writer who simultaneously does review and feature work for Hittin’ the Note magazine. All reviews here are the sole property of the original author and may not be republished without express permission.
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